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Reeves C2J Mouthpiece
Technical Data Combining over 30 years of experience with scientific research and development, Bob Reeves has designed a mouthpiece that allows trumpet players to get a dark, warm flugelhorn sound on a trumpet without sacrificing intonation, range, or endurance. The C2J has been used by orchestra players to execute the extreme soft passages in the repertoire and passages that require a dark sound (Mahler, Symphonies #3 and 9, for example). It is also optimal for church settings where a warm chorale type sound is desired.
Jazz players use the C2J to get a flugel sound when soloing and when playing
ballads. Some find it convenient not having to switch to a cold horn, or even
carry a flugel to a gig just to play one ballad. Click here for information from Reeves' Web Site.
Opinions
Marketed as a mouthpiece for trumpeters for use on
trumpet as an ad hoc flugelhorn replacement, the Reeves C2J seemed like a
potential addition to the wide range of trumpet-sized mellophone mouthpiece
arsenal.
The low register (below low C) plays only slightly restricted on the C2J, but the
tone quality does change into a flugelhorn-type of throaty sound. It’s hard to
describe, but if you’ve ever spent any time on a flugelhorn, you probably know
exactly what I’m talking about. It’s not unpleasant at all, but it does differ
from the medium range tonal characteristics of the mouthpiece. The upper
register articulates great on this mouthpiece. It’s clean and with a nice round
characteristic. You can articulate hard on this mouthpiece and it doesn’t lose
any quality or get brittle in the least.
This mouthpiece is flexible in the upper register (middle C up to high C and
above). When paired with the mellophone the C2J's slotting is not quite as crisp as the Curry or the Monette.
However, the mouthpiece produces a much darker sound than the Curry and
maintains a big sounding lower register like the Monette. -Scooter Pirtle (email)
Where to Buy
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